HEY! KIDS! COMICS! : Dumbo’s Sky Voyage at Cool-Mo-Dee : May 4th, 2009

STWALLSKULL'S HEY! KIDS! COMICS!

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Dumbo’s Sky Voyage is not the best comic on the list below… heck, it isn’t even close to being the best issue of Dell’s Four Color series on the list below (I mean, Carl Barks classic tales Lost in the Andes and Voodoo Hoodoo are down there! It doesn’t get any better than that! Why am I talking about Dumbo?).

I speak to you about it solely because I read my copy of it to my daughter the other week.

Even bad issues of Four Color (and this is a pretty bad one) are pretty entertaining. Dumbo is one of my favorite Disney cartoons, but this doesn’t preserve much of its charm. Dumbo talks in this comic (he’s silent in the movie), and his entertaining sidekick Timothy the Mouse is nowhere to be seen. Strangely, although Timothy and all other characters from Dumbo are completely absent, Doc from the Seven Dwarfs shows up (tangent: why is it dwarfs instead of dwarves when these imps are mentioned, anyhow?)… all Disney characters apparently living in the same shared Disneyverse. Needless to say, continuity was never a concern in the old Disney comics (at least not until Don Rosa’s excellent take on the Disney ducks). I think there was at least one other random Disney character that showed up somewhere in it… damned if I can remember at this point, and it takes too long to download and find out. My memory is lousy anyhow, and this is not a memorable comic. Kind of fun, though, and I’m a sucker for about any issue of Four Color. So, I liked it. But I can’t really recommend it! Maybe you just like old Dell comics like I do… you can download it by clicking the image above.

Don’t miss those Carl Barks comics, though! Square eggs!!!

Donald Duck in Lost in the Andes
Donald Duck in Voodoo Hoodoo

HEY! KIDS! COMICS! : Dynamic Boy at Pappy’s : April 24th, 2009

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I could recommend a lot of good stuff from the below list (like Walt Kelly’s wonderful take on Disney’s Three Caballeros)… but today I will instead I will call your attention to this glorious train-wreck of a “Dynamic Boy” story at Pappy’s Golden Age Comics Blogzine. Clearly, I should not be trusted.

INTERESTING LINKS: Skip Williamson’s Comics and Stories : April 16th, 2009

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TODAY’S INTERESTING LINK:

Underground cartoonist Skip Williamson (best known for Snappy Sammy Smoot) has one hell of an interesting blog at Salon.com (you can subscribe here). I believe the stories from it are at least partially from an autobiography he wrote or is in the process of writing, although that may not be the case. Note that Williamson has another blog called My Bitter Agenda here as well.

INTERESTING LINKS: Jack Kent’s King Aroo to be Reprinted by IDW : March 5th, 2009

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On a thread on comic strip reprints that people wish would happen on The Comics Journal Message Board it was noted that in their Terry and the Pirates V.6 reprint, IDW mentioned they will be doing a reprint of Jack Kent’s wonderful strip King Aroo as part of their increasingly impressive Library of American Comic Strips (along with Alex Raymond’s Rip Kirby and Neal Adams’ Ben Casey). This is the first time I have heard this mentioned anywhere. Here are some examples of King Aroo from Cool-Mo-Dee and Cartoon Snap, if you aren’t familiar with it.

HEY! KIDS! COMICS! : Header Strips and More Courtesy of Hogan’s Alley : March 3rd, 2009

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Hogan’s Alley has a wonderful gallery of full-color topper strips courtesy of Bill Blackbeard as a supplement to the latest issue of their always wonderful magazine (#16)…. there are some other great supplements at the link as well, as usual. Topper or header strips, for those who don’t know, are secondary comic strips that used to be published in conjunction with the main strip back when cartoonists were afforded an entire page of a Sunday newspaper to practice their craft on.

Most of these wonderful strips are largely forgotten today, and many are quite wonderful… examples of some of my favorite header strips are featured… Otto Messmer’s Laura (a header of Felix… which they have attributed mistakenly, although understandably, to Felix credit-stealer Pat Sullivan) and Segar’s Sappo (a header of Thimble Theatre) notably. Cliff Sterrett, Billy DeBeck, Rube Goldberg and many other greats are featured as well. There are no examples of Sterrett’s wonderful silent Dot and Dash topper, unfortunately (another of my favorites), but multiple examples of his variously titled marriage-lament topper strips (all headers of Polly and Her Pals).

HEY! KIDS! COMICS! : Four Color Comics at Cool-Mo-Dee : February 25th, 2009

STWALLSKULL'S HEY! KIDS! COMICS!

Much like the Crosseyed Cyclops I mentioned yesterday, Cool-Mo-Dee has also posted a whole comics collection worth of great old comics. Recently they’ve been doing the world the great service of focusing on one of my favorite series of all time… which is also I believe the longest running (numerically) comic title of all time… Dell’s Four Color series.

Dell licensed and published most of the popular highly recognizable children’s icons of the era that they were in business, and they had most of the best children’s cartoonists working for them (Barks, Kelly, Stanley, and many others) from the 30’s through the 60’s.

I’m not sure how frequently Four Color came out (weekly? bi-monthly?) but the last issue was numbered #1354. It was not a conventional series featuring one character, but a long series of one shots featuring Dell’s huge library of popular licensed characters.

Four Color‘s run includes the first Donald Duck comic and the first Uncle Scrooge comic among other wonderful things… many of the greatest adventure tales of Carl Barks were Four Color one shots. Walt Kelly did a huge body of brilliant non-Pogo work for children in the Four Color books in a number of different titles.

Titles that proved particularly popular were often spun off into their own series, so Four Color was very much a testing ground for Dell as well. The vast majority of the Four Color comics have never been reprinted and probably never will be.

Pictured above is a typically charming cover to a typically charming issue of Raggedy Ann (Four Color #72), which you can download here.

You can read more about the Four Color series on Wikipedia here.

CRUMBLING PAPER: Winnie Winkle, The Breadwinner (strip #3)

Here’s another example I scanned of Winnie Winkle, The Breadwinner from 1930 by Martin Branner.

Click the image to view the full strip.

Click here to read more examples of Winnie Winkle at Barnacle Press.

See another Winnie Winkle Sunday strip here.

Click here to read an old article on Martin Branner at the Stripper’s Guide here.

Click here to read Louie the Lawyer by Martin Branner at the Stripper’s Guide here.

Click here to read about Martin Branner at lambiek.net.

Click here to read about Winnie Winkle at Don Markstein’s Toonopedia.

See some interesting Winnie Winkle original art here.

CRUMBLING PAPER: Winnie Winkle, The Breadwinner (strip #2)

Here’s another example I scanned of Winnie Winkle, The Breadwinner, with the footer strip Looie Blooie, Attorney at Law, from 1933 by Martin Branner.

Click the image to view the full strip.

Click here to read more examples of Winnie Winkle at Barnacle Press.

See another Winnie Winkle Sunday strip here.

Click here to read an old article on Martin Branner at the Stripper’s Guide here.

Click here to read Louie the Lawyer by Martin Branner at the Stripper’s Guide here.

Click here to read about Martin Branner at lambiek.net.

Click here to read about Winnie Winkle at Don Markstein’s Toonopedia.

See some interesting Winnie Winkle original art here.

THE PEANUT GALLERY: Wait a Week to Watch the Watchmen

STWALLSKULL'S PEANUT GALLERY

I started a Facebook group here that I encourage you all to join encouraging people to wait a week (or more) to watch the movie adaptation of Watchmen. Here is what I posted there:

The movie Watchmen was made without the consent or participation of the writer of the book, Alan Moore.

Out of respect for Mr. Moore, members of this group should wait at least one week (preferably more) after the theatrical release of Watchmen to watch it, as a small protest to the consistently poor treatment of Mr. Moore by Time Warner and DC Comics. DC comics, it should be noted, has a long and notorious history of poor treatment of cartoonists, going back at least to screwing a couple of teenagers out of the rights to Superman.

I am not arguing that it is wrong to go see the Watchmen movie if you really want to. I am just suggesting you wait a bit to see it, out of RESPECT for the person who wrote it, as his wishes for it are not being honored.

I repeat… this is an issue of RESPECT. It is not a legal issue. It is not an issue of artistic merit, or lack thereof. It is not even an issue of being completely sick of seeing marketing for this movie everywhere, even though I certainly am. It is an issue of respecting the intent of an artist whose works you respect.

Furthermore, a week is a VERY small time to wait if you really want to see this thing. It is an important time to the Time Warner Corporation, however, as how a movie is received in its first week very much effects how successful it is overall.

I’ve read many objections to Mr. Moore’s complaints about the film. Yes, Mr. Moore was doing work for hire… yes, he sold the rights to Watchmen. It was certainly a bad business deal.

Mr. Moore signed a contract where the rights to Watchmen would return to him after the book had been out of print for a designated period of time. At the time Watchmen came out, there was no precedent for a graphic novel NOT going out of print. Watchmen, Dark Knight and Maus changed that. Mr. Moore naively thought at the time he signed the contract that he would get the rights back, and DC Comics was happy to exploit him.

Regardless of whatever mistakes Mr. Moore has made in this instance, his works have greatly enriched my life. Out of respect for him, I don’t think it is asking a lot to wait a week or two to see whatever travesty they have made of his book on the screen… or, better yet, you could choose not to see it at all.

The book is still on the shelf, and will always be the best way to experience this masterpiece of comics fiction. Why not do yourself a favor and read it instead of watching the Hollywood aberration?

If you’ve ever read and enjoyed any of the wonderful works of Alan Moore, please consider affording him this extremely small favor.

Here is an interview with Alan Moore on the subject at Entertainment Weekly.

Here is an overview of Mr. Moore’s history with the movie business from the New York Times.

For another view on this, see this interview with Watchmen artist Dave Gibbons, who approves of the movie.

Slime-coated Hollywood producer Don Murphy calls Alan Moore a hypocrite and a liar, and completely misses the point, as you would expect.

(Note: Above image is Creative Commons licensed on Flickr here.)

CRUMBLING PAPER: Winnie Winkle, The Breadwinner (strip #1)

Here’s an example I scanned of Winnie Winkle, The Breadwinner, with the footer strip Looie Blooie, Attorney at Law, from 1933 by Martin Branner.

Click the image to view the full strip.

Click here to read more examples of Winnie Winkle at Barnacle Press.

See another Winnie Winkle Sunday strip here.

Click here to read an old article on Martin Branner at the Stripper’s Guide here.

Click here to read Louie the Lawyer by Martin Branner at the Stripper’s Guide here.

Click here to read about Martin Branner at lambiek.net.

Click here to read about Winnie Winkle at Don Markstein’s Toonopedia.

See some interesting Winnie Winkle original art here.